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CIOs and their managers are simply being inundated.

They’re being inundated with information about what’s happening on their network. They’re being inundated with a flood of vulnerabilities and the patches needed to fix them. They’re inundated with trying to learn a new language — business speak. And with so much work and stress flooding in, it’s easy for an IT manager to get lost in the technical fog of war.

Here, she talks to eSecurityPlanet about the challenges facing IT managers.

One of the biggest problems right now is that there is so much data. How do you collect that data and look at it and make sense of it? There are firewall logs, system logs, IDS logs. There’s so much data that you need good correlation and reporting mechanisms. It’s really, really important for companies to deal with.

They’re just realizing now that they need to do something about it. A couple years ago if you asked executives if they knew what an IDS was, they wouldn’t have known. Now they know it’s intrusion detection. Now we’re at the point where the technology is there. They just have to figure out how to deal with the data.

Another thing is understanding the different threats on the horizon. It’s all about understanding what threats are out there and what you need to protect your company from them… They don’t know what’s coming. It’s a big problem.

I wouldn’t say they get sidetracked. It helps to raise visibility [about security issues] in the company at a high level. It sometimes helps to create awareness.

There’s a problem with the way people present information to the executive management. It’s not really clear. This technical information is not being simplified. From a systems level, it’s very difficult to uplevel that to an executive. You give them complicated information and too much of it. They’re not going to get it. They don’t have time to think about it, so they end up not understanding the threat.

I wouldn’t want to pin it on IT. The information is complicated. Once it’s simplified at a systems level, it’s easier to communicate at a higher level. It’s not really a skill for a lot of people at an IT level, and especially not at a systems administration level. Companies that really know how to communicate security at a business level and can simplify technical information, they’re the ones who get money for their security efforts — and they have better security.

It’s not a simple solution or everybody would have all the patches installed today. The idea of keeping up with all the vulnerabilities relevant to your company and having the staff to install those patches is pretty overwhelming. You need patch management software that works on a large distributed network. Sometimes it’s a catch-22. There may be patch management software but somebody doesn’t have funding for it. Or they think they can have the systems administrators update the patches because that’s their job. It’s not that simple of a problem to solve.

Business doesn’t wait for security. Technology gets deployed because the business needs to run. Usually what happens is that businesses deploy technology before security is strong enough, and a lot of times that forces the solution… Definitely. I worry about it. I got a call today from somebody running a business that has deployed wireless technology and they don’t have a clue about it. They were already broken into and they don’t even know how it happened. If you deploy wireless without thinking about security, there’s a good chance that’s going to be a problem.

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The Museum Of Failure Challenges How We Think About Mistakes

In the series I Made a Big Mistake, PopSci explores mishaps and misunderstandings, in all their shame and glory.

On my first attempt to find the Museum of Failure, I made a wrong turn while navigating through the massive, often unlabeled buildings nestled in Brooklyn’s Industry City, and accidentally stumbled across The Innovation Lab instead. Consider it a tiny mistake.

The Museum of Failure is not a permanent addition to the eccentric collection of galleries in New York, but is rather a traveling pop-up that aims to engage people all over the world with the idea of making mistakes. It was created in 2024 by Samuel West, an Icelandic-American psychologist who worked with companies on increasing their innovation and productivity. 

Previously, he had found during his research that the most innovative companies were those that have a high degree of exploration and experimentation, which of course, means that they’re also going to have a high rate of failure. By making room for failure, companies could paradoxically tap into an opportunity for learning and for growth. 

Healthcare-related failures. Charlotte Hu

West started collecting projects that were deemed failures, but he kept looking for a new way to communicate the research. Inspiration struck when he visited the Museum of Broken Relationships in Los Angeles. “Then, I realized that the concept of a museum is very flexible,” he tells PopSci. 

As of this year, the pop-up has made stops in Sweden, France, Italy, mainland China, and Taiwan. In the US, it was in Los Angeles for a spell, and after New York, they will pack up shop and reopen in Georgetown in Washington, DC on September 8. The reception has surpassed all of West’s expectations. It was so popular in New York that its opening was extended for a month. “I thought it was a nerdy thing,” he says. “And to see how it resonates with people around the world has been fantastic.”  

Some R-rated failures. Charlotte Hu

The main objective of the museum is to help both organizations and individuals appreciate the important role of failure—a deviation from desired outcomes, if you want to think about it in a more clinical way—in progress and innovation. “If we don’t accept failure as a way forward and as a driving force of progress and innovation, we can’t have the good stuff either,” West says. “We can’t have the tech breakthroughs or the new science, and products. Even ideologies need to fail before we figure out what works.” 

Despite being marked as failures, most of the items in the museum are actually innovations, meaning that they tried something novel, and attempted to challenge the norm by proposing something that was interesting and different. 

The museum itself felt like a small expo center, and is composed of a hodgepodge of stalls that group products loosely together by categories and similarity. There’s not a set way to move through the space. “A lot of people, I’ve found, are sort of lost without a path, and they kind of don’t know where to begin,” says Johanna Guttmann, a director of the exhibit. “The people that really get it automatically are in product design, or marketing.” 

The Hula chair is free for visitors to try. Charlotte Hu

The team has also designed an accompanying app that guides museum-goers through the various items on display. The app has a QR code scanner, which takes users inside a back catalog of more than 150 “failures” across themes like “the future is (not) now,” “so close, and yet,” “bad taste,” “digital disasters,” “medical mishaps,” and more. Each product on show not only comes with a detailed description of its history and impact, but is also ranked on a scale of one to eight for innovation, design, execution, and fail-o-meter. 

Familiar names of people, companies, and products pepper the exhibit, like Elon Musk, Theranos, MoviePass, Fyre Festival, Titanic, and Google Glass. It features both the notorious and newsworthy, from Boeing 737 Max, CNN+, Facebook Libra, Hooters Air, to Blockbuster. Donald Trump has his own section. “I like the ones with the good story,” West says.

Some of these stories are intended to challenge the perception of failure. “The reason for failure many times is outside of you doing something wrong,” says Guttmann. For many products, it was a case of bad timing, money issues, and in the case of the Amopé Foot File, it was so successful at doing what it was supposed to do that it was a failure for the company profit-wise. 

Some failures, like the Nintendo Power Glove, inspired later successes. Charlotte Hu

“Kodak invented the digital camera in the 70s only to be bankrupt by digital photography,” says West. “So it was a failure not of tech, but a thing of adapting and updating their business model.” 

Some failures showcase the importance of persistence and reiterating on certain ideas. “Nintendo, for example, tried early on in the 90s to make their games more interactive and immersive by making them 3D,” West noted. They made a 3D console that was terrible and gave kids headaches, and they made the poorly received Power Glove that hooked up to a TV through wonky antennas. Even though the execution was bad, the idea of motion control stuck, and Power Glove became a precursor for the popular Nintendo Wii console. 

The post-it wall. Charlotte Hu

Placed at the end of the exhibit is a wall titled “Share your failure,” and it’s plastered with sticky notes. This is Guttman’s favorite part of the experience. “It has taken on a life of its own,” she says. People leave both funny and serious anecdotes behind, including microwave failures, relationship disasters, and personal tragedies. “The anonymity is part of the appeal,” she notes. 

Guttman likes to say that the 150 or so items in the museum are really just props for conversation. She sees its potential for opening dialogues around the culture, especially since in countries like the US, there’s encouragement to move fast and break things, or “fake it until you make it,” whereas in other countries, there is a greater emphasis on constant perfectionism. For certain people, the experience has been cathartic—West recalls visitors who have cried at the wall of failure. 

Guttman heard recently in a podcast from an expert who said that too much of US education is designed for success. “His point was that every semester should involve a task that’s designed for failure because otherwise, the students build no resilience, and they don’t know what to do with frustration,” she says. “We say that failure is a part of life, and in an educational setting in particular, students should experience some type of failure to learn that they should try different things, deal with it in different ways.”

Cissp Certification: Why It Security Professionals Need It?

CISSP, known as Certified Information Systems Security Professional, is globally recognized, and International Information Systems Security Certification Consortium has developed this certification. IT professionals are eager to gain this degree to become more skilled in their technical field.

A Brief on CISSP

This is a six-hour examination, and professionals need to attend with 250 questions. The examination topic is covered in different areas like disaster recovery planning, business continuity planning, operation, security, and management practices. Besides these areas, IT professionals also need to prepare in various areas like law, investigation, ethics, system development, security, cryptography, etc.

Becoming a CISSP Professional

IT professionals eager to earn CISSP certification need to understand how to become CISSP professionals. An IT professional needs to work as a full-time paid security analyst. The professionals should work in at least eight domains enclosed within CISSP. IT professionals also need expert knowledge in cryptography and software expansion security.

Again, once IT professionals complete the experience as per the requirement, they might become an Associate of the ISC and earn CISSP certification. Now, the experts need to get ready for the examination. To pass the test, professionals should score at least 700 out of 1000 points.

The (ISC)2 suggests that candidates need to start with comprehending the CISSP authorizations. This certification is necessary for those who possess tremendous experience in the field of cyber security. Once professionals pass the examination, they need permission to subscribe to the ISC Code of Ethics.

Another professional will verify the professional expertise of the newly passed IT professionals. Once this verification of working experience is done, the professionals can take the endorsement. This endorsement from a present professional is necessary as it will help fresh CISSP holders to attend a seminar or any IT-related event.

Benefits of CISSP Certification for IT Professionals

Before you opt for CISSP certification, it is necessary to understand the potential benefits of this program.

Enhance career opportunity − IT professionals who hold CISSP certification are in massive demand than other professionals with different credentials. Having CISSP certification is undoubtedly the best way to get more career opportunities.

Increase earning prospective − Every professional always wants to make more improvements in their earnings. Once IT professionals hold CISSP certification, it becomes easy to enhance their income to at least US$130000 per year. Before reaching this income level, professionals must complete four years of experience in this field as paid employees.

Worldwide popularity − The CISSP credential is globally recognized, and many worldfamous companies recognize this certification. IT professionals with this certification can work in world-famous companies like IBM, Google, etc.

More credibility − Once professionals hold CISSP certification, they will get an opportunity to have an endorsement from CISSP. This credential will add more value to your resume and enhance your credibility.

Benefits as CISSP members − Once IT professionals become CISSP members, they can enjoy the benefits of watching free webinars, networking opportunities, etc. The professionals will also receive education discounts and recognition in Global Award Program. Professionals can get deals and enjoy some free events.

Eligibility Criteria

Once an IT professional wants to hold CISSP certification, he or she needs to understand the eligibility criteria before appearing for the examination. The professional must have completed five years of full-time employment as a security professional. The professionals must have knowledge in two or more domains out of ten domains of the information system.

IT professionals must possess full-time work experience for four years in two or more domains of CISSP CBK. However, if any professional still needs to gain work experience, they can become an associate of (ISC)2 once they pass the CISSP examination.

Syllabus of CISSP Examination

Every aspirant should understand the CISSP syllabus before they appear for the examination. As per CBK, the CISSP examination covers ten domains. IT professionals need to prepare in areas like access control, network security, cryptography, telecommunication, risk management, information security Governance, Operations Security, Business Continuity, Physical security, disaster recovery planning, investigations, and compliance.

How to prepare for the CISSP Examination?

IT professionals interested in appearing for the CISSP examination need to understand how to prepare for the examination.

Experts always suggest taking CISSP training courses to pass the exam easily. Every CISSP certification course helps professionals to acquire in−depth knowledge in every topic. You can attend virtual classes that will also help you to grasp detailed knowledge on every topic.

There is no comparison to self−study despite you joining a study course. So, after you complete the daily training class, it is necessary to do some self−study that will help you to gain comprehensive knowledge in CISSP subjects.

It is also necessary to maintain a proper study plan while you are opting for the CISSP examination. Many professionals want to complete the CISSP examination in 3 months and must study at least 2 hours per day for three months.

Besides, IT professionals also need to understand why they opt for the CISSP examination and the benefits they will get from it. Aspirants should rely on more than one study material or resource. It is also necessary to pay more concentration to the weaker areas.

Xiaomi 13 Beats All Rivals: It Officially Challenges Iphone 14

The Xiaomi 10 was released in February 2023, entering the premium smartphone market.

The Mi 11 was out in December 2023, bringing a new design to the niche.

The follow-up model, the Mi 12, was launched in December 2023. It was the first top-end smartphone of the series focusing on experience. Also, it was the first model to benchmark the iPhone.

On the e-commerce platforms, the three models of the Mi 12S series achieved a favorable rate of more than 98%. At the same time, the second-gen folding screen smartphone MIX Fold 2 reached a 99.97% rate. Thus, it’s an ideal smartphone in the eyes of users.

Xiaomi 13 Display

Also, it uses the new E6 material. The latter drives less power consumption. It is 22% lower than the Mi 12 under the same brightness. The outdoor full-screen brightness can reach 1200nit, while the peak brightness can reach 1900nit.

The Xiaomi 13 supports four HDR display standards: HDR 10, HDR 10+, Dolby Vision, and HLG. It can display a wide P3 color gamut and brightness exceeding 1000nit.

In addition, the Mi 13 also supports an ultra-dynamic display. Its imaging system can capture the dynamic range of the entire scene. Then, the ultra-dynamic display technology is responsible for displaying more realistic images. When watching photos or videos, it can display a wide range of areas, from deep black to bright white. This tech also brings brighter highlights and full details in dark parts while ensuring smooth transitions between different brightness areas.

Design and Dimensions

The frame of the Xiaomi 13 is made of light aluminum alloy to achieve a neat upright frame design. The latter can better highlight the visual impact of the screen. By the way, this smartphone offers four colors: classic black and white, new green (3D glass), and distant mountain blue (nano-tech leather).

Among them, the nano-technology skin has the excellent anti-dirty ability. After sticking to ballpoint pens, ink, and other stains, you can wipe it off using paper towels or erasers.

The handset’s thickness is 7.98mm, and the weight is 189g. The 3D glass process on the back makes the phone look stylish and provides an excellent grip. It has an IP68 dustproof and waterproof rating.

Xiaomi 13 Camera

The Xiaomi 13 comes with native Leica imaging capabilities. In simple words, new hardware, software, and Leica support bring a new shooting experience.

The three rear lenses cover the optical zoom range of 0.6x-3.2x and support up to 30x digital zoom. Each lens has a special Leica optical certification, high resolution, large aperture, and almost imperceptible distortion. These three prove that a lens provides excellent image quality.

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Among them, the primary lens uses the IMX 800 CMOS. It has a 7P aspheric lens design, ALD prof ultra-low reflection coating, and new cycloolefin material. At the same time, it supports Hyper OIS. It’s a super optical image stabilization technology that replaces a handheld gimbal. The new super-outsole sensor uses an additional 3.5% redundant area to obtain a larger field of view when shooting videos. It increases the field of view by 5° compared to the Mi 12.

By default, the primary camera uses a four-in-one readout mode to shoot 12.5MP photos. When you need double zoom, the main camera switches to the 50MP readout mode to take a 12.5MP photo.

The Xiaomi 13 has four built-in Leica watermarks. Unlike the mainstream filter apps on the market, the same Leica filter will not distort the picture too much. It will adjust the color and tone to retain the original picture colors.

Thanks to the complete focal length, the Mi 13 supports a full series of master lenses for the first time. There is also a new 75mm portrait mode based on the telephoto lens. It brings an ultra-shallow depth of field, natural skin color, and unique bokeh and light-shift effects.


This phone sports the second-generation Snapdragon 8 mobile platform. Plus, there is a new LPDDR5X memory (peak value 8533Mbps), UFS 4.0 flash storage (3.5GB/s read speed and 2.6GB/s write speed), and an ultra-luxury cooling system with 4642mm2 VC.

This handset comes with ideal connectivity options. For instance, it supports the latest Wi-Fi 6 wireless network, 4K QAM, and dual WLAN acceleration and can provide a maximum rate of 3.6Gbps (5GHz + 2.4GHz).

Due to the dual-card dual-pass support, it will keep two cards online. So when you’re using the primary card to make calls, the second card can still access the Internet, send and receive text messages, and even answer calls. Users can switch between the two calls without interfering with each other.

The Mi 13 is said to have the strongest battery life among all top-end Xiaomi phones. There is a built-in 4500mAh high-density battery. Under Xiaomi’s standard battery life test, the battery life of the Mi 13 can reach 1.37 days, far exceeding the iPhone 14 and even surpassing the iPhone 14 Pro Max.

The Xiaomi 13 supports 67W wired charging, 50W wireless charging, and 10W wireless reverse charging. When charging through wires, it can reach 100% in 38 minutes. For the same goal but using a wireless charging method, it will take 48 minutes.

The rest features include X-axis linear motor, Dolby Atmos, Dolby head tracking, infrared universal remote control, and other functions.


Buyers can choose from four storage variants. The 8+128GB model costs 3999 yuan ($575); the 8+256GB version is available for 4299 yuan ($618); the 12+256 version is 4599 yuan ($661); the 12+512 version costs 4999 yuan ($718).

The Mi 13 also has five limited-edition custom colors. They are available in 12GB + 512GB version, priced at 4,999 yuan ($718). There are 50,000 units available for purchase. Each user can buy up to 2 units.

Zane Lowe Talks About The Transformative Experience Of Spatial Audio On Apple Music

Zane Lowe is currently Apple Music’s co-head of Artist Relations, and also one of the service’s most prominent radio hosts. So of course Apple would tap him to try and sell the idea of Spatial Audio for the music streaming service.

Technically speaking, Spatial Audio with Dolby Atmos support started rolling out for Apple Music subscribers yesterday. However, Apple Music is calling today an official launch date. So, in an effort to get people hyped up, Apple asked Lowe to talk about his experience with Spatial Audio. It’s safe to say that it sounds like Lowe is sold on the soundscape, but also Lowe works for Apple, so take that for what it’s worth.

Lowe starts with the basis, saying that Spatial Audio is about a more immersive experience. Sound will “move around” the listener in different directions, and notes that the experience is similar to watching a movie in a theater. Which makes sense, because that’s how Apple sold Spatial Audio for video content last year.

I’ll get out of the way and let Lowe explain his first foray into Spatial Audio:

Among the first songs I listened to were Lady Gaga’s ‘Rain on Me’ and Kanye West’s ‘Black Skinhead.’ It was hard to put into words because I’ve spent my whole life in a two-channel environment; I was born into stereo. It dawned on me that there are a lot of artists in the past and present who would have loved to be able to lean in with this kind of technology — to make their songs come to life, make them bigger, and just take them to levels no one had even thought of yet. But they only had two stereo channels to play with. Now they can go beyond that. So, to be able to hear parts of these songs coming from behind and around me? I was like, ‘I’m all in. I get it.’ TV got HD — now music gets Spatial.

More than anything, while this is a piece that’s supposed to sell Spatial Audio, Lowe is honest about support. It’s up to the artists creating music to actually offer up support for their tracks with Spatial Audio and Dolby Atmos. That’s why it’s not all that surprising that artists like The Weeknd, Lady Gaga, Ariana Grande, Taylor Swift, and others have songs supporting the new feature. It may take some time before other, not-so-giant, artists support the feature. If at all.

Lowe says:

It will come from the artists adopting it. It takes investment from the people who are going to use it and the people who are going to love it. When I started making beats when I was a kid, you had to save up a lot of money to get a sampler. They were not readily available and very few of them existed on the shelf. With Spatial Audio, I can put my AirPods in, press play, and have a Spatial experience; fans and artists have the means to listen to this and make music like this now. That’s when things change, because it can’t help but influence the young person who is sitting there listening going, ‘I want my music to sound that good.’

Here’s a pretty lengthy video with Lowe introducing the new Apple Music feature:

Of course, Lowe also notes that new artists will only know launching their music in Spatial Audio. So it sounds like he believes this will be the new standard moving forward. It will be interesting to see if that’s the case. Unlike other elements, like stereo sound or high definition video for video, Spatial Audio is a very Apple-specific feature. It will take every other company related to music, especially streaming it, to come up with a feature similar to Spatial Audio before it can actually become a new standard.

Are you looking forward to trying out Spatial Audio in Apple Music?

American Gothic Creator And Executive Producer Corinne Brinkerhoff Talks About New Show On Cbs

Corinne Brinkerhoff says she thinks her new show’s title, American Gothic, is “perfect because the iconic Grant Wood painting is thematically appropriate for our show: at first glance, a benign snapshot of domesticity, upon further inspection…something is awry.” Photo by Noah Webb

Since graduating 12 years ago, Corinne Brinkerhoff has written and produced for several network TV shows, including Boston Legal, The Good Wife, and Jane the Virgin, which won a 2014 Peabody Award. Now the College of Communication alum is heading up her own show as executive producer and creator of the CBS murder mystery American Gothic, which premiered June 22.

BU Today spoke with Brinkerhoff about the show’s development and how it differs from other murder mysteries on TV.

BU Today: Where did you get the idea for American Gothic?

Brinkerhoff: The idea came from Full Fathom Five, American Gothic executive producer James Frey’s company. They gave me the title and a paragraph premise, and it piqued my interest. I was less interested in the gruesome details of serial murder and more in the emotional and psychological fallout on the people close to the killer. It developed into a character-driven murder mystery.

The previous show you wrote for, Jane the Virgin, is a romantic comedy and a drama. What drew you to a darker series?

I’m always interested in putting complicated characters in difficult situations. And the themes that emerged from this situation were intriguing: the limits of family loyalty, nature vs. nurture, perception vs. reality, the power of denial.

How did you come up with the show’s title?

The name came from Full Fathom Five. I felt it was perfect because the iconic Grant Wood painting is thematically appropriate for our show: at first glance, a benign snapshot of domesticity, upon further inspection…something is awry. That off-kilter, unsettling vibe is key to the show.

We decided to run with fine art as a motif. We’ve titled each episode after a famous American painting that thematically fits into that particular chapter of our story, and we also feature a shot within the episode that pays tribute to the famous image. For example, the pilot episode is called “Arrangement in Grey and Black,” which ties in thematically with the moral gray areas and outright darkness on display in the episode. But we also re-create the tableau of the painting (known colloquially as Whistler’s Mother) in the last shot of the episode.

It’s been a fun, creative challenge to identify the right painting and find a way for our story to organically take us to that homage.

Why did you set the show in Boston?

The simple answer is because it’s a place I know and love. I could easily add specificity. We talk about Duck Tours, the Frog Pond, the Great Molasses Flood of 1919. The family’s dog is named Pudge after Carlton Fisk.

Beyond that, our family on the show has blue collar roots, but has rocketed into the one percent after securing a lucrative construction contract in the ’90s. Boston felt right for that, with its history of city-wide construction projects like the Big Dig.

You have the Good Will Hunting version of Boston and the blue-blood Kennedy version, and this family has seen a little of each.

How does American Gothic differ from other murder mysteries on TV, Bloodline and Blue Bloods, for instance?

There’s a healthy dose of quirky, dark comedy in the show that I think distinguishes it tonally. For example, Justin Chatwin plays a recovering drug addict who draws a syndicated cartoon about a nihilist frog working in a market research firm. The Hawthornes try to appear normal, but their world is full of bizarre people and insane circumstances.

The show is a 13-part series—did that appeal to you? Do you think this shorter format versus a more traditional longer run is growing in popularity?

Absolutely. I didn’t want to artificially extend the premise beyond what it was designed to be.

And yes, people seem to like the shorter format, especially in this genre. With a murder mystery, I think audiences want a satisfying and timely payoff to their investment.

You have another show in the works, No Tomorrow. Can you give a hint what it’s about and when we should expect to see it?

It’s a drastically different tone, more in the vein of Jane the Virgin. It’s a joyful, buoyant show about a risk-averse young woman who falls in love with a freewheeling man—only to find out he lives his life that way because he believes the apocalypse is imminent. We think of it as a romantic comedy with the ultimate ticking clock. It premieres on October 4 at 9 p.m. on the CW, right after The Flash.

American Gothic airs Wednesdays at 9 p.m. through September on CBS.

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